Mr. Potter by Jamaica Kinkaid (review by Andrew R. '17)

Mr. Potter by Jamaica Kincaid
My rating: 2 of 5 stars

Mr. Potter is the story of an illiterate Antiguan chauffeur whose father was long-gone by the time of his birth, whose mother drowned herself when he was still a young child, whose clients are disdainful of his social status and the color of his skin, and whose illegitimate daughters are strangers to him because he abandoned every one of them, just as his own father abandoned him. One of these daughters narrates this novel from a distance—a distance of time, since her father died years prior (we watch her visit his grave), but also an emotional distance that causes her to treat him with a mixture of pity and contempt and guarded affection. The best one can say about Mr. Potter as a novel is that it’s lyrical; in fact, it takes lyricism and extends to an almost illogical extreme. In the interests of lyricism, then, our narrator repeats the same facts and phrases five or six times in the same sentence. “Mr. Potter was my father, my father’s name was Mr. Potter,” she tells us at least once every chapter. It’s an interesting technique, certainly, and one that lends a certain power to this novel, but more often than not it turns Jamaica Kincaid’s otherwise impressive prose into a sticky morass.

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To Say Nothing of the Dog by Connie Willis (review by Connie M. '17

To Say Nothing of the Dog by Connie Willis
My rating: 4 of 5 stars

To Say Nothing of the Dog is perhaps Connie Willis's most humorous Oxford Time Travel book, set mainly on the outskirts of Victorian Oxford. The novel features two main characters: Verity/Kindle, who is sent back in time by the frustratingly persistent Lady Schrapnell to help figure out the location of the Bishop's Bird Stump, and Ned Henry, who is sent back to help right a supposed discrepancy caused by Verity. Willis often pokes fun at aspects of Victorian life through Ned's nonchalant humor (he is the narrator). The story reads much like a mystery novel as Ned and Verity attempt to understand the nature of their first time discrepancy while simultaneously trying to prevent more time-travel disasters. The final solution is amusingly explained but leaves some unanswered questions. To Say Nothing of the Dog is certainly worth reading for its humorous, science fiction, and historical fiction aspects, but those who are not interested in the Victorian era will be disappointed.

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Doomsday Book by Connie Willis (review by Connie M. '17)

Doomsday Book by Connie Willis
My rating: 5 of 5 stars

Doomsday Book, Connie Willis's first Oxford Time Travel novel, is one of her most famous, featuring young time traveler-historian Kivrin on an expedition to medieval England. Shifting between modern and medieval times, the novel combines first person "journal" accounts and traditional narration. Like many of Willis's novels, Doomsday Book is (in comparison) relatively slow moving for a good half of the book (though certainly not uninteresting) and speeds up to an incredibly moving ending. The book makes the horrors of the Black Death devastatingly real, and continuously questions the role of religion in our lives. While perhaps more interesting to those who have some background on the middle ages, I had little interest in medieval times but still found the book hauntingly captivating. I found myself pondering Doomsday Book for days after I had finished reading it.

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The Scorpio Races by Maggie Stiefvater (review by Emily C. '18)

The Scorpio Races by Maggie Stiefvater
My rating: 4 of 5 stars

At the beginning of each November, riders on the tiny island of Thisby attempt to capture and gain control of spirited water horses in a deadly contest: the Scorpio Races. From this fierce battle of horsemanship and grudges two particular individuals emerge–Sean Kendrick and Puck Connolly. Though they ride for different reasons, when their paths cross an unlikely bond is formed. However, the issues Sean and Puck face are not limited to survival in this perilous competition; Stiefvater weaves a web of emotional and practical intricacies that range from sexism to finance to hostile and dangerous schemes. Maggie Stiefvater outdoes herself once again with a singular legend-inspired plot, well-developed characters, and touches of heartwarming loyalty and devotion.

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The Haunting of Hill House by Shirley Jackson (review by Andrew R. '17)

The Haunting of Hill House by Shirley Jackson
My rating: 4 of 5 stars

No one who’s read Shirley Jackson’s short story “The Lottery” is likely to forget it anytime soon: even sixty-five years after its explosive debut, the narrative of sinister small-town ritualism retains an impressive staying power that makes it as jarring to modern readers as it was to its original audiences. Shirley Jackson draws on the same arsenal of subtly suspenseful plot devices in her 1959 novel The Haunting of Hill House, in which the scarred and unstable Eleanor Vance joins a research party to live in a crumbling Victorian mansion for the summer. Part Edgar Allen Poe and part Henry James, this psychological ghost story isn’t quite a horror novel, at least not in the Stephen King sense; its terror, as in “The Lottery,” is so understated that the full force of the book’s scariest scenes isn’t likely to manifest itself until days after you’ve read them. (From what I’ve heard, Jackson’s last novel, We Have Always Lived in the Castle, ramps up this creepiness to an even more intense and chilling pitch.) For a haunted-house story, this novel is very strong, and rates only one notch below “The Lottery” in its quality and spine-tingling effect.

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